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藝人:Nick Cave & the Bad Seeds
專輯:Murder Ballads
年份:1996
曲目:01. Song of Joy
   02. Stagger Lee
   03. Henry Lee (duet with PJ Harvey)
   04. Lovely Creature
   05. Where the Wild Roses Grow (duet with Kylie Minogue)
   06. The Curse of Millhaven
   07. The Kindness of Strangers
   08. Crow Jane
   09. O'Malley's Bar
   10. Death Is Not the End
   11. The Ballad Of Robert Moore And Betty Coltrane
   12. The Willow Garden
   13. King Kong Kitchee Kitchee Ki-Mi-O

從70年代組成 The Birthday Party,到80年代再組 Nick Cave & The Bad Seeds 至今,Nick Cave 的音樂始終籠罩著濃濃的死亡、黑暗氣息,若照今日歌壇喜歡亂取封號的習性,Nick Cave 一定會被安個「黑暗教父」、「死亡系主教」的頭銜!其實也是差不了多少啦,即使他也常唱優美的抒情曲,但帶給人的感覺也是「淒美」大於「優美」,反正這就是他的調調。

底下附上兩首歌的歌詞,就是上列兩首對唱曲 Henry Lee 及 Where the Wild Roses Grow,這兩首表面聽來就是淒美的抒情曲,但請再看看歌詞,看到底是怎樣的死亡氣息,很有意思。對了,合唱 Where the Wild Roses Grow 的 Kylie Minogue,就是那位火辣辣的凱莉米洛,當年她會跟 Nick Cave 合唱這首歌實在出乎意料。


Henry Lee

Get down, get down, little Henry Lee
And stay all night with me
You won't find a girl in this damn world
That will compare with me
And the wind did howl and the wind did blow
La la la la la
La la la la lee
A little bird lit down on Henry Lee

I can't get down and I won't get down
And stay all night with thee
For the girl I have in that merry green land
I love far better than thee
And the wind did howl and the wind did blow
La la la la la
La la la la lee
A little bird lit down on Henry Lee

She leaned herself against a fence
Just for a kiss or two
And with a little pen-knife held in her hand
She plugged him through and through
And the wind did roar and the wind did moan
La la la la la
La la la la lee
A little bird lit down on Henry Lee

Come take him by his lilly-white hands
Come take him by his feet
And throw him in this deep deep well
Which is more than one hundred feet
And the wind did howl and the wind did blow
La la la la la
La la la la lee
A little bird lit down on Henry Lee

Lie there, lie there, little Henry Lee
Till the flesh drops from your bones
For the girl you have in that merry green land
Can wait forever for you to come home
And the wind did howl and the wind did moan
La la la la la
La la la la lee
A little bird lit down on Henry Lee

Where the Wild Roses Grow

They call me The Wild Rose
But my name was Elisa Day
Why they call me it I do not know
For my name was Elisa Day

From the first day I saw her I knew she was the one
She stared in my eyes and smiled
For her lips were the colour of the roses
That grew down the river, all bloody and wild

When he knocked on my door and entered the room
My trembling subsided in his sure embrace
He would be my first man, and with a careful hand
He wiped at the tears that ran down my face

They call me The Wild Rose
But my name was Elisa Day
Why they call me it I do not know
For my name was Elisa Day

On the second day I brought her a flower
She was more beautiful than any woman I'd seen
I said, "Do you know where the wild roses grow
So sweet and scarlet and free?"

On the second day he came with a single red rose
Said: "Will you give me your loss and your sorrow"
I nodded my head, as I lay on the bed
He said, "If I show you the roses, will you follow?"

They call me The Wild Rose
But my name was Elisa Day
Why they call me it I do not know
For my name was Elisa Day

On the third day he took me to the river
He showed me the roses and we kissed
And the last thing I heard was a muttered word
As he knelt (stood smiling) above me with a rock in his fist

On the last day I took her where the wild roses grow
And she lay on the bank, the wind light as a thief
And I kissed her goodbye, said, "All beauty must die"
And lent down and planted a rose between her teeth

They call me The Wild Rose
But my name was Elisa Day
Why they call me it I do not know
For my name was Elisa Day


Nick Cave 及其《Murder Ballads》

Nick Cave,這位蒼白、憂鬱的死亡搖滾王子是歐洲地下音樂圈內教父級的人物,1984年,他組建了 The Bad Seeds 樂隊,並開始開拓新的音樂領域。Nick Cave & The Bad Seeds 創造了一種兼備野蠻和淒美的音樂,這是一種不同尋常的聲響,是藍調、民謠、歌劇和藝術搖滾的混合物。

1996年,他出版了《Murder Ballads》專輯。這張傳統的謀殺歌謠實在魅力無窮,深深浸淫於傳統的藍草音樂、鄉村樂、民謠和舊日歌謠的氛圍中。整張專輯充滿了各式各樣的罪惡和叛逆。如果這些歌謠在 Nick Cave 之前並不存在,我敢打賭,他會以他特有的敍事方式將它們創造出來。

在他與 The Birthday Party (Nick Cave 的第一個樂隊,其專輯被《滾石》雜誌評價爲後龐克時代最無序和野蠻的音樂) 和 The Bad Seeds 樂隊合作的十幾張專輯中,Cave 已經創立了他自己的模式 - 他黑暗的故事有一種讓時光停滯的感覺,仿佛這些故事是從被長久遺忘的廢墟裏發掘出來的。他的歌可能不會讓人感到愉悅,他的音樂也似乎與時代不合拍,但這正是他的魅力所在。

該專輯的名稱很簡單:《Murder Ballads》,被認爲是「10首歌以同樣的方式結尾」,體現了一種對死亡的奇妙感覺,同時也不乏幽默感。無論是傳統歌謠還是原創歌謠,都充分表現了 Cave 風格,他創作了其音樂生涯中最黑暗、最令人困擾和最佳的作品。該專輯是當年的最佳專輯之一。

Song Of Joy 是該專輯的起首曲,講述了一個人的家人在他外出工作時在床上被殺害的故事。但他在敍述這個故事時,講到一個善良的陌生人給他提供住處,慢慢顯露出這個人可能涉及了這次謀殺。在歌曲結尾時,有這麽幾句:「你把我當作朋友嗎?對我來說太陽是黑的,寂靜得象月亮。你有空房嗎?先生,你在誘我進去嗎?」聽衆知道下面將發生什麽。

Stagger Lee、Henry Lee 和 Bob Dylan 的 Death Is Not The End 是該專輯的3首主打歌曲,但其餘的7首歌也是 Cave 的嘔心漓血之作。其作品黑暗而詼諧,總是對整個故事欲言又止,讓聽衆自己去體會個中韻味。《Murder Ballads》就像10個音樂故事,Nick Cave 絕妙地掌握了故事的情緒和節奏。其他出色的歌曲包括 The Curse Of Millhaven,優美淒慘的 Where The Wild Rose Grow 和長達15分鐘的 O’Malley’s Bar。這些謀殺歌謠中骯髒的主題和黑暗的懺悔的靈感來自 Leonard Cohen 的詩作,其音樂也是 Leonard Cohen 的翻版:簡單、粗糙,有些許風琴伴奏、有大量呻吟唱腔。Stagger Lee 以詼諧的歌詞更新了老式黑人民謠,使新一代青少年對舊日歌謠有了全新的認識。在 The Curse Of Millhaven 中,他描寫了傳統村莊中的瘋女人,她的嗜好就是減少村裏的人口。Where The Wild Rose Grow 有 Kylie Minogue 的參與,她纖美的歌聲與 Cave 鬼氣森森的男中音形成強烈的反差,感人淚下,優美得讓人難以釋懷。在結尾歌曲 Death Is Not The End中,PJ Harvey、Kylie Minogue、Shane MacGowan、Anita Lane 等巨星的加入爲本已出色的歌曲增色不少。

《Murder Ballads》中的的每首歌都有其特殊含義,這是一張由絕對出色的藝術家創作的偉大的專輯。96年,他因該專輯被MTV音樂獎評爲最佳男藝術家,但他婉拒了該榮譽,解釋是:他不想與別人競爭,因爲藝術是很主觀的。

※ 本文轉載自「網易文化頻道」※


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